Welcome to BANG A DRUM!

Bang a Drum! is a fast paced, light-hearted presentation of the history of drums. Numerous instruments are included, and the entire demonstration is veiled in facinating rhythms derived from different cultures of the world!

Bang a Drum has recently been performed at the following locations:

2000-01

School Location
Centenial Central Public School London
JP Robarts Public School London
Lord Nelson Public School London
Oxford Park Public School London
Sir Winston Churchill Public School London
Southdale Public Scool Strathroy
Mosa Central Public School Middlesex County
St. Mary's Catholic School Blenheim

2001-02

School Location
Emily Carr Public School London
Bishop Townshend Public School London
Brick Street Public School London
Ryerson Public School London
Colborne Street Public School Stratroy
Caradoc Central Public Scool Middlesex County
Caradoc North Public School Middlesex County

2002-03

Orchetra London Pillow Concerts London
St. George's Public School London


Bang a Drum Concert Outline

The following is a general outline of the "Bang a Drum!" presentation:

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Udu Drum

Udu Drum (African Clay Pot)


Pitch - high, medium and low
Timbre - shell and resonance chamber

Log Drum

Log Drums (African tongue drums)


Pitch - high, medium and low (produced by different length tongues)
Timbre - different striking areas

Djembe

Djembe (Africa - Senegal)


hollow log with animal skin stretched over top
pitch and timbre (bass tone, dead stroke (heal and fingertips), open tone and slap tone

Drum Tuning & Snares:

(effects of humidity on skin heads require the drum to be tuned higher or lower)

Military Drum

Military Drum with rope tuning


Calf heads, Cat Gut snares
Snare drum sticks held with Traditional or Matched Grip

Bass Drum

Bass Drum with T-rod Tuning Lugs


Calf heads
Bass drum stick (Large beater)& Rute (bundle of Sticks)
Faster rhythms are played on the shell with the rute(high pitch)
Slower rhythms are played on head with the bass drum mallet(low pitch)

Stick Grips:


Traditional Snare Drum Grip Traditional Grip - drum is slung on the players side and hangs on an angle due to gravity

Matched Snare Drum Grip Matched Grip - drum is mounted on a snare drum stand and can be played flat (with the playing surface parallel to the floor

Concert Snare Drum

Modern Snare Drum


Plastic heads
Wire Snares
Snares on and off

Rudiments:


RL - single strokes (2 notes)
RRLL - double strokes (4 notes)
RLRRLRLL - paradiddles (8 notes)

Rolls:


When RRLL is continuously repeated at a fast speed, a Long Roll is produced
Short rolls include 5 stroke, 7 stroke, 9 stroke, 11 stroke, 13 stroke, 15 stroke, 17 stroke, etc.

Other rudiments include Flams, Roughs, Drags, etc.

Rudimental Style Snare Drum Compositions performed:


Three Camps (Wilcoxon)
Heating the Rudiments (Wilcoxon)
Roughing the Single Drag (Wilcoxon)
Rolling in Rhythm (Wilcoxon)

Concert Style Snare Drum Compositions performed:


Etude #1 (Gray)
Happy (Gray)
Three Dances for Solo Snare Drum (Benson)
  1. Cretan Dance
  2. Fox Trot
  3. Fandango

Polyrhythm Clapping Demonstration

two beats in the time of three - two against three

Bass Drum, Tom Tom and Snare Drum

Multi percussion composition performed:


Morris Dance (Kraft)
(bass drum, tom tom, snare drum) demonstrating:
Pitch - low, medium, high pitches
Timbre - different methods of striking with sticks, hands and brushes

Timpani

Timpani:

Sonata for Timpani (Beck)
4 drums - 4 pitches demonstrating:
rapid tuning by means of the pedal
Timbre - different striking areas and different types of mallets


For more information, or to book a performance, email D'Arcy at:

dgray1@execulink.com

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